I suppose we all have nested away some items, some event or photograph we cherish. I published a photograph several weeks ago on the feed bin in the far field with clouds that I had set aside in the files, but every time I came across the feed bin and clouds photograph I wanted to post it and share it with readers in the blogosphere. I present two things here with a short story line, one is the long shadows in Stall 1 of the stables, the other is an artwork of Eric Andrews of Taos, New Mexico.
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When this photograph was taken on January 28, 2011, the late afternoon shadows of the stall panels were surrounded by cold mist of a winter’s day. I was terribly sad because I had recently sold three of my prize horses at an auction in Oklahoma City, and the absence of Hija, Fanny and the foal-to-be was anguishing. The economy had gone sour and I had — through my own ineptitude — lost money on the stock market. So had other people lost money, but they had not be forced to sell their companions. I sold the horses — no small relief, to be sure — to fine people in Canada and Missouri and I was comforted in the transfer. The photograph illustrated to me the emptiness in my life at the time.
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Eric Andrews’ painting, Walking the Acequia 2, is one of his current paintings for sale and is a good example of his art. I possess one Eric Andrews painting. He and his wife own the 203 Fine Art Gallery in Taos, New Mexico. After the death of my mother in 2003, I wanted to invest my inheritance in either fine art or land. I eventually settled on buying the Flying Hat Ranchito. Before I bought the Flying Hat, however, I traveled to Taos and Santa Fe to put together an ensemble of southwestern paintings of the Taos Society of Artists — Bert Geer Phillips, Ernest L. Blumenschein, Joseph Henry Sharp, Oscar E. Berninghaus, E. Irving Couse and W. Herbert Dunton.
As I made a laundry list of the paintings I might purchase, going from art gallery to art gallery, I met Eric Andrews at the Parsons Gallery in Taos. It was an immediate friendship. I traveled to his studio out on the High Road to Taos from Santa Fe to visit with him and his wife and see their work. Although I made the decision to buy my ranchito, I bought Eric’s Vadito II that hangs over my fireplace (you can see it on the “About” page of Sage to Meadow). The painting above, Walking the Acequia 2, illustrates my acquaintance with Eric and my deep interest in all things acequia.
- LeDoux Street Art Stroll Allows Visitors to See Why Taos is Considered ‘Center of Art World’ (prweb.com)